The first rough cut from my video poetry collaboration with DJ Cue is up. The music was composed by DJ Cue (Bobby Cuevas) while I provided the visuals and recorded ambient audio. This was made possible thanks to Talenthouse.com and their Creative Invite collaboration platform. This is a rough cut, so it doesn’t include the poetry dialogue that I will eventually add (actually, I’m looking for a woman with a nice classic German accent to do some voice recording), but it’s a nice visual representation of what I’m trying to create. Video imagery includes the abandoned Bärenquell Brauerei in East Berlin, Barbara running through Zurich Bahnhofstrasse (shoot organized with Ethan Oelman), and also a quick look from a underground club night in Berlin, part of an Alternative Berlin night tour I did in the city. Thanks to everyone involved, now that I’ve setup my computers in my new apartment I can get back to shooting and creating on a more normal basis. Enjoy…

Click here to view the embedded video.

Dancing with Water & Urban Affairs, a show by Zurich photographer Ethan Oelman at *Galerie 16b. I’m planning to visit the Vernissage. I’ve assisted Ethan on one of his water shoots and made a companion video with the material called Birth-Kraft (http://vimeo.com/18276591) and also an interview where Ethan explains the background of his Dancing with Water project (http://vimeo.com/20802817), so I’m looking forward to seeing the images in a gallery setting.

*Galerie 16b
Ausstellungsstrasse 16
8005 Zürich

Click here to view the embedded video.

Click here to view the embedded video.

There’s a cool photo exhibition in Zurich each year. Depending on the year it has a new name, in 2007 it was called Photo07, in 2008 it was Photo08 and this year they’re calling it Photo09 (although it’s taking place in 2010). The concept is sort of the year in review, present the body of work of different Swiss photographers in one big show. Basically, each photographer presents their work from the past year in a giant old industrial hall. The images are the focus, and you walk through the visual menagerie stopping to check out interesting images and passing on others. It’s in the Maag event hall in Zurich, the cool thing about the show is that it features anyone, pros, amateurs, fashion photographers, hobby photographers, it’s just a really cool collection of visual imagery. All in all it’s a cool night out to attend the show. I checked out Photo07, was in Detroit during the 2008 show, and decided to submit a portfolio and image concept for Photo09.

I went about the submission process like it was an engineering conference, which means that as long as you pay the registration fee and present some work, you can show or talk about whatever you want. I figured, based on the Photo07 show that it was the same concept, present my photos of the past year in a layout which I think best represents my Vision09. The organizer of a conference like the SPIE Smart Materials get-together doesn’t know what will be ground-breaking research and what is worthless crap because they can’t predict the future and progression of science, and therefore generally won’t deny serious work (although to be fair, some conference organizations just want to make money and will take anything).

So long as the organizers think you’re on the level, you’re free to display your vision. I figured it was the same thing at Photo Zurich – and maybe it was at some point, but that was before the show got popular, and this year they had far more submissions than space to display them. So naturally, people had to be cut from the list. I submitted a portfolio and concept presentation to Photo09, which basically encompassed my year in photography for 2009. This was an interesting year since I had a nice combination of income, travel, and free time to think about life. My Vision09 includes images from Bratz in Rome and California to portrait shoots with Jurgita, her cousin Margarita, myself, and the Barbie Hunter Alexandra was there as well. It seemed like a cool collection of images which couldn’t be denied, but it was – and I’m fine with that.

It’s sort of discouraging to get a rejection letter for your first photography show, my first journal submission was accepted by Smart Materials (IOP Publishing) with barely a correction request. The divide between Art and Science is nonexistent for me, so I figured I would at least get in to Photo09, but on the other hand, I’ve had an equal number of articles rejected as published in scientific journals. It was actually a very apologetic rejection letter I received, so well-written in fact, I had to ask my girlfriend to confirm that they had indeed rejected me. The German was so eloquent to my non-fluent eyes that I didn’t know if I was being asked to not attend, or if I had gotten in and they didn’t want me to feel too good about myself. On the one hand this sucked, but on the other hand, it meant I wouldn’t need to pay the 250 CHF entrance fee plus the costs associated with printing out my display images. Which, in the end means it’ll make paying the credit card bill for that Zulu shield I ordered from South Africa much easier to rationalize (yes, it’s for a photo shoot).

Rejection from Photo09 stung for an instant. I’ve never been actively interested in what people think about what I shoot (not to the point that I would cry for not getting in a show). Each image is a failure in my mind, to accurately communicate the emotions and visions from my brain, so I wasn’t hurt that the editors at Blofeld Entertainment GmbH didn’t want to show my pictures. However, since I went through the editing process of putting together a presentation concept for Photo09 in Zurich, I figure I should display it somewhere. Since the web is one of my main platforms of choice to display imagery, I figure I’ll do it here (Vision 09 on Issuu). I’m slightly scared to see what  the Vision will bring in 2010.

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Part I: The Amazing Amazee Booster Party

We always tend to start with a beginning, and find our way towards an end. Photography is simply a lazy Artistic form of communication. Sit in front of a computer doing Photoshop every night, and you run the risk of living a predictable plotline.

When your mind is locked in a tired day-dream-suspension of animation, where it’s impossible to focus and you imagine that a bed would be your best friend, then it’s time to say “yes.” Time to take an iced bottle of Vodka from the freezer, step into your Docs, and stroll confidently into the night. No other reasonably sane option you see, just have faith and propel yourself “forward”. My destination of the night was the Amazee Booster party at the Technopark in Zurich.

Amazee is a grassroots social networking and project management website. It’s a Swiss Startup and was having a booster party to energize funding and interest into different projects. Since it was a good time to say yes, I decided to attend. I like stepping into a comfortable set of street clothes and heading out when I feel drained by life. Sometimes you recharge the batteries of the body by pushing it further – see what’s in the shadows and alleyways of the night. Try hard enough and you’re sure to find what you were looking for – Cape Noct mon ami. The day is a time to hide and play out the pleasantries of society, the night is the time to take place on the Greek stage and act out all the monologues which embarrass us in the sunshine.

I got to the Amazee party sometime after 8pm. I didn’t actually know anyone, which was one reason I said “Yes” and decided to attend. The only requirement was a bottle of vodka/run/champagne and some booster money. I figured it was a good time to step out of my comfort zone and see how my social skills really are when fumbling with my not-exactly-fluent German. I figured I would go there and push my German language abilities are far as they would go. Parties are the best place to test these things, between the alcohol and noise you really see if you have any actual conversation abilities, or if your German is just a bit better than gibberish, fit only for asking for directions in Berlin or ordering drinks at a bar. Naturally, the Amazee people were as you would expect at an internet startup party, cool and easy to talk with.

Of course, one has to be careful when discussing things like, “internet parties.” When you say, “I attended an internet party in Zurich” everyone thinks something like, “What, you went to a Craig’s List sex party last night?” So you say instead, “I was hanging out with hip Swiss StartUp people at a company party.”

Amazee had recently been contacted by lawyers for Amazon.com, who asserts that the name Amazee is too close to Amazon, and therefore Amazee must change its or face litigation. This is like McDonald’s getting pissed at Burger King for selling french fries. It’s like Apple computer suing iRiver just for making an awesome music player. It makes no sense. Those who ask those in the know, know that Amazee derives it’s name from the word Amazing, which accurately describes the Amazee grassroots web platform. At least Amazee an original idea. Where does Amazon.com come from? The name is taken from a fucking rain forest in South America. Amazon.com is one of the least original names of the DOT.COM boom era, slightly more original than Buy.com and far less clever than Yahoo. The actions by Amazon.com is nothing but imperialist bullshit and internet strong-arming. However, this internet stand-down is slightly relevant to the night, as there was a white board at the party and people were putting up possible alternative to Amazee. I was slightly intoxicated and a moment of false clarity manifested in my mind. There was a pen, so I went slightly mad coming up with new names:

Zaema, Kadamos, Gadakis, Zukama, Kamkan, Zakahann, SAMO (apologies to Jean-Michel), Freudzeud, Zukama, Adazoo, Edokann, Eomasan, Uberkann, Zanasan.

It’s such a shame I took up engineering instead of marketing and brand management as a career, but that’s why I publish a blog. The party was breaking up around 2am, and a few of us decided it was too early to go home. We headed towards Hive, the logical location if you’re coming from the Technopark and looking for a place to groove, but the beats were uninspiring and we took a cab to Helvetiaplatz and walked into Kanzlei, to seach out the Digital Shaman.

Part II: The Shaman’s Trance

Graffiti speaks across the walls and streets and later I see it all at once in my heads. All the hope and hate and colors and concrete are there in front of my eyes. Shadows on the streets, whispers in the heads. I walked around Zurich shooting graffiti the other day. The excursion was slightly cold and very cool. I walked towards the old Lowenbrau brewery, just beside the river. I’d seen the place thousand times from the train, but never took the time to explore it on foot. just like I’ve visited Zurich a thousand days and nights without ever really walking around with a camera. There’s always things to find, new things to inspire and learn from. I forget this sometimes, but love finding it again.

I love graffiti because you never know what you’ll find. On the wall of Lowenbrau is a poster of Obama’s Hope, staring off into the future. On the opposite side on a wall a sticker reads, “911 was an inside job.” Across the river from the brewery I see the Star of David and a Swastika sprayed next to a sidewalk leading up to some houses. There’s an equal sign between them. Social commentary on the action of the Nazi and Israeli governments perhaps? Who knows, it’s open to interpretation, some might say intimidation. The next week there’s a story in 20 Minutes about anti-Semitic leaflets being stuffed in mailboxes, someone said it was like the 1930’s. Hope and hate a few minutes walk from one another. In between a 911 conspiracy. Who knew the streets of Zurich were so crazy and political. Is it everywhere – waiting to be seen with the right eyes at the right time? Then there’s the socialists, the hammer and cycle are often found on buildings, usually not too far from an anti WEF image. Thoughts in time, what’s the reason? The abstract works are the best, no specific message, just shapes and colors, your mind doesn’t need to translate the universal language, just enjoy the views.

Zurich isn’t generally known for it’s street art. Berlin, Dresden, these are the cities which come to mind. There you find fantastic visions around every corner. In Zurich the streets are clean, the punks are few, and political demonstrations are anomalies, except for the 1st of May. But if you walk the streets and take a few turns you’ll find the voices on the walls. Images that were once in someone’s head and got translated to poems of the pavements.

The abstract comes out, the aliens faces, the eyes staring back at you and then looking across the city. The graffiti reminds me that Zurich is an inspiring place. Everything looks clean and orderly, but there’s also revolt inside the Stadt. There’s dissension, there’s hope, there’s inspired art. For some reason this fills my heart with joy. Sometimes I think that a city without graffiti doesn’t have a soul or just has nothing to say, or is under a social boot. I don’t think I’ve been in my any small mountain village in Switzerland and not seen at least a small sliver of street revolt on the door of a Kiosk or the side of a train. It’s not always in your face, shouting at you like a Coke advertisement, but the voices are there if you go listening for them.

Ah, but who is saying what, you wonder. Not everyone is talking to the walls with spray cans, you only hear the most determined voices. That’s fine, I’m not looking for SAMO’s ghost or Van Gogh’s ear lobe. There’s Andy Warhol in the Kunsthause and galleries around Zurich, but I love graffiti because the environment is always changing, and part of the art, the texture of the images changes with the lighting and the season. You never know if it’‘ll be there the next time you walk by. I think of fleeting moments in the time that can never be recreated or improved upon. Perfect.

Beware of cities which are too clean, without stickers on the lamp posts or writing on the walls. Beware of people who always clean off the walls with out hearing what they say. Not all graffiti is good, a lot of it sucks. I vomit every time I see nothing but tags. In Zurich most of the stuff around the train tracks is just kids writing their names in colorful ways, who cares. What I like is seeing a horse in scuba gear, alien faces below windows and giant lizards crawling up the sides of buildings. The coolest find by far was this piece of newspaper on the wall near Escher-Wyss-Platz. Basically it’s an astronaut painted on newspaper, with a map included. Pure imagination, priceless inspirations.