Mark

Mark is a guy from Michigan who lives in Switzerland. He's a photographer, occasional writer and trained research engineer. His free time is sometimes monopolized by mountain touring or travels. On occasion he attends and presents at BarCamps and blogging events.

Voting Open! Collaborate On a Video Poetry Project

Voting is open on the video poetry creative invite at Talenthouse.com! To recap, I have a creative invite running on Talenthouse, where the winner will have the opportunity to work together with me on a video poetry series of short films. I wrote about the contest previously, and now this wonderful experiment in online collaboration and general creativity awesomeness is coming to an end. Well, the first part, then will come the video poetry series. For the contest, I provided some images of inspiration, including images of Bratz and War, and the participants then needed to create a music track to submit to the contest. The highest voted songs will get the first listens from me, and I’ll then work with the winner (whoever created the best mix in my mind) if they’re interested. For the video poetry part, I’ll create some poetry concepts and shoot the needed video, and the winner can have their music featured as a component of the final videos.  It’s all very non-linear and experimental, but when you challenge people, excellent things always happen. The voting is open here on Talenthouse:

Voting Open: Collaborate with American Peyote on a poetry short film series

On the Verge: F&F Art Show at Rote Fabrik Zurich

On the Verge is an art show, featuring the work of the artists enrolled in The Professional Artist Mentorship Seminar, docent Olga Stefan (F&F Schule für Kunst und Mediadesign). We will be showing at the F&F Schule by the Rote Fabrik in Zurich. Works will include painting, sculpture, installation, a video game and short films. We are artists on the Verge and this is the opportunity to see our work. We have a show over the weekend, with a Vernissage on Saturday night from 7pm, with the art fun continuing on Sunday 12-5pm. 

Feel free to drop by Saturday night before heading to Hive, enjoy a coffee lunch Sunday morning at the Rote Fabrik and then wander through our work at the F&F Schule. Artists will be on-hand to mingle and we would love it if you can join us. Promo video of the show is at the end.

Vernissage on Saturday June 25th from 7pm
Show open Sunday June 26th from 12-5pm

Rote Fabrik Zurich
Entrance B – 3rd Floor – Room 201

Artists Exhibiting:

Misha Camenzind
Christiane Haase
Sarah Honner
Dominik His
Malgorzata Krynicka
Annamarie Merz
Mark Melnykowycz
Kirsten Moselund
Chris Solarski
Louise Tidd
Annie Unsworth

SwissAlpine Training Days: Bettmeralp

For my first taste of alpine running I headed to Bettmeralp, a little dorf in the Swiss mountains, on the footstep of the Aletsch glacier. Bettmeralp (the better alp) is an ideal running location, the accommodations sit at 2000m, and the ridge above the glacier goes from 2200m up to 2600m by the gondal station near the Bettmerhorn. To mix up the running with mountaineering, you can also go up to the Eggishorn, which sits at a comfortable 2900m. If you’re so inclined you can run to the other side of the Aletsch, and go through many meters of up and down to reach the Oberaletsch SAC hut.

The goal of this weekend was to get into a little bit of shape, train my lungs at altitude and see what gear I need for mountain running. I had with me a pair of Salomon Lab running shorts, funky compression style running shorts that compress and stabilize your leg muscles while going up and down and around mountains. The support of the shorts is supposed to protect your legs so they don’t fatigue as much, and they also breath extremely well while keeping you warm in the alpine air. There’s also a very tight fitting shirt to wear, which helps maintain proper posture while running. I took along some compression ski socks to keep my lower legs warm. On top of that I wore my icebreaker wool shirt, which helped to retain heat in the cool alpine air. When paired with a pair of Pearl Izumi arm warmers, it all makes for a very energy efficient running uniform. It also makes you feel and sort of look like a member of the X-men. My girlfriend said I couldn’t run in just the shorts as their almost see-through, so I added a pair of Patagonia swim trunks.

Marathon Training

There are many things I’ve never done in life, including running a marathon and running at altitude. I normally keep a comfortably quick pace in mountaineering boots. So, for the first two days I spent my time running up from the dorf to the ridge which leads up to the Bettmerhorn.  Once you ascend up the hiking trail it’s more or less flat, and you can run between Riederalp and the mountain trail leading up to the Eggishorn. The panorama is beautiful from there, even if clouds come in from the distance and threaten to open up on you, it keeps you moving at least. Each day I had a small pack filled with a 2-liter hydration system, plus cold weather essentials and near useless things like my iPod. This is like 5 or so kilograms I probably don’t need to be running with during the SwissAlpine marathon, but I find it essential for training in a place where the weather can turn nasty before you have a change to find cover. I think once I get rid of the extra gear I’ll have some confidence that I’ll actually be able to finish the K42 race, but I also have 1.5 months to get my body in shape.

Last Ascent

On the final morning I got up early and left the apartment around 5:30am in my mountaineering gear and hiked up to the ridge of the Eggishorn. Running in the hills is fun, but there’s nothing like balancing on a real rock ridge with a Swiss panorama all around you. I developed blister almost immediately. The Salomon running shoes are amazing on my heels, but my La Sportiva Trango are brutal. However, the Trangos let me balance on my toes on a thin rock edge, and the Salomon shoes just aren’t designed for an alpine ascent. I got up to the ridge around 7:40am, which means I maintained a pace of like 500m/hr ascending. I wanted to traverse the ridge to the Eggishorn but some dark clouds were moving in and it was pretty obvious I would be hit with some serious rain if I stayed up there too long. This is fine if you’re just running in the woods, but on a Swiss mountain ridge it’s just a stupid risk, plus I wanted to get down for breakfast.

Scaramanga Large Flight Bag Concept Images

I don’t know how I found out about Scaramanga, but they’re just, basically my favorite vintage bag company in the world. Based in London they ship vintage bags, journals, cases, and other things around the world. They sent me this large version of the vintage Flight bag and I put together an image concept. I wanted to do something dynamic, something that combines the motion of the world with the bag concept. I had all the background images already in my head, I just needed to find and arrange them all together. I shot stills in my studio and then did some compositing in Photoshop to blend everything to my liking. You could say, this is how I imagine I feel like when I’m strolling through the street with the flight bag, naturally, my reality is a bit less dramatic. Enjoy. If you’re looking for a cool vintage leather bag or chest, check out Scaramanga Bags.

Bright Idea: Run the K42 SwissAlpine Marathon

I think it’s a good think to keep your mind flexible and challenge yourself in the, seep out of your comfort zone and do something excessive. So when my girlfriend suggested I run the SwissAlpine mountain marathon I sort of said “yes” in my heads. The farthest I’ve run so far is 10K at the Detroit Turkey Trot, and that was years and years ago. This is a bit more challenging, but the people in the Swiss Startup community are inspiring, and if they can start cool companies, I figure I can run the K42 SwissAlpine mountain marathon in Davos, Switzerland on July 30th. It’s 1800m of elevation gain, which is more than I normally do in a day of mountaineering, but I won’t be wearing a pack full of climbing gear. Besides, I’m an American and don’t sweat all those little details, I have a mountain heart and fierce, fierce determination, full of undeserved confidence, and anyways, I’m a Doktor of Science and I have a training plan. Now for some full disclosure, I don’t really like running all that much. At least, not on flat pavement, but when you’re running up a mountain you’re connected to the environment, part of the landscape. That’s why I’m doing it, I love moving through the altitude, and thinking that your body and spirit and flowing in the wind. Plus, the running gear that Salomon is offering is hands-down awesome.

Gear Matters

I know you should’t do sports because of the gear, but I don’t mind admitting that I’m running the SwissAlpine partially because I get to dress up like a superhero. It makes sense, I openly admit being a gear whore. The Salomon trail running shoes I have are amazing. I had a blister from running in my Scarpa approach climbing shoes, and the Salomon shoes don’t even put pressure on the blister area, it’s just amazing. The XT 5 SLAB running pack I’m looking at and their muscle support clothing also looks awesome, I can’t wait to run in the Wallis with the EXO shorts. It’s the perfect form of functional fashion, clothing which looks cool and actually improves your athletic performance. You’ll never find that mix at Dolce & Gabbana or H&M. My official drink for the event and training period is Isostar. I started drinking it years back when I was looking for a sports mix to help me hike/climb/ski faster and longer in the Alps, and Isostrar does the trick. I haven’t done an testing, I just know I go long and faster when drinking Isostar instead of just water. Gear is motivating, it feels nice to have a pair of Petzl arm warmers keeping you dry and warm when the weather turns dark and thunder rolls from Thor’s hammer across the sky, threatening to zap you with a lighting bolt if you run too slow over the mountain top. However, you have to back it up with results. If I’ve learned anything from the Swiss Startup community, it’s that ideas are useless with determined execution.

Training for the SwissAlpine

How do you train for a mountain marathon? I’ve asked the marathon runners and tri-athletes that I know, but it seems like this isn’t a normal type of race. Being a Doktor of Science, I decided to design a program-philosophy on my own. A lot of sources say things about running long distances and ramping up and ramping down, but that does nothing to address the altitude issue. So, instead, I’m training for the K42 like I would for speed climbing. I go to mountains in Switzerland, and try to ascend them as quickly as possible. For example, I ran/walked up Rigi Kulm from Goldau in 1 hour 50 minutes last Saturday, that’s a pace of about 500m/hour and matches my basic goal for the K42. It means I should be able to finish the K42 in 5-7 hours, which is 1800m up and 1600m down. It’s not for sure I can do it, I’ve never run a marathon before, I just like the mountains of Switzerland. However, I see no point in not being positive. That’s what Americans excel at, backing up an undeserved excess of self-confidence with measured results. In this case, I think a mountain madness training philosophy makes sense. Later this week I’m heading to Bettmeralp to train around the Great Aletsch Glacier. That’s why I’ll attempt a day trip in Bettmeralp, going from the dorf to the Oberaletsch SAC mountain hut and back. It’s an excessive amount of up and down and I’ll be leaving early in the day and coming back late at night. I figure if I just become one with the mountains and altitude and concentrate on being light and fast, I’ll survive. I’ll stay committed to this cause as long as it stays fun. What’s the point if you’re not having fun in life doing what you’re doing? I’ll add the big posts on my blog, but I’ve also started a new Tumblr with all the images and randomness of training for the SwissAlpine, http://myswissalpine2011.tumblr.com/.

God Envy – Deconstructing A Painting

The most interesting part of writing an artist statement is taking the time to deconstruct your and explain to yourself what it is you’re doing as an artist. If you don’t do this I can’t imagine how you can write a coherent artist statement that anyone else besides the person in your head will ever understand. Going through my paintings it’s clear I’m interested in exploring the concept of God, mortals, and how they relate to one another. A lot of this comes from watching movies like Troy, 300, Clash of the Titans, Fight Club, and reading books like Jitterbug Perfume (Pan Aroma) by Tim Robbins. I especially like philosophizing on this line from Troy,

“The Gods envy us. They envy us because we’re mortal, because any moment might be our last. Everything is more beautiful because we’re doomed. You will never be lovelier than you are now. We will never be here again.” (Troy: Achilles)

Often in my paintings I take this idea of gods envying mortals and mortals loving gods and combine it with the figurative representation of self-identity. It is the self-portrait, the question in the mind of a person in life, wondering what will happen when they die and if the gods will care when they are prayed to. This painting here I call God Envy. Above the head I’ve also written Mortal Lust. Of course, I wasn’t consciously thinking any of this, I just wanted to create something before heading to 1 Day of Art Copenhagen, and this is what I put together. Today, May 21st 2011 has been billed as the day of Rapture by a number of people around the world. It’s the day that the true believers (true believers of May 21st) will be raptured and the rest of humanity will be destroyed in the Armageddon, or at least it should start around that time.

Gonzo Art Presentation

Today is the day I give a presentation on my art at the Rote Fabrik. It’s all part of the professional artist class from the F&F school in Zurich. We’ve focused on writing the artist statement, and today I give a 45 minute presentation of Gonzo Art. There are a number of seemingly unplanned for events which have lead up to the point of me trying to tell the story of my paintings, but for sure I wouldn’t be at this point if I hadn’t won the 1 Day of Art Copenhagen creative invite on Talenthouse. Copenhagen was a stronger marker in my life, and the kind folks from (t)here magazine gave me a creative spring-board to propel myself somewhere I wouldn’t gone otherwise. I like to think I do various forms of art, but this presentation is totally focused on the Gonzo Art concept. It borrows from the Gonzo journalism themes set down by Hunter S. Thompson, I interpret it in art as meaning that the idea goes from the sub-conscious mind of the artist to the world as quickly as possible. No digital, no editing, pure inspiration thrown down on the canvas. Below is my presentation on SlideShare, I’ll add a version with audio but these are the bare-bones of the beast. The final version will include videos showing how my paint lands on the canvas and how the final form of the works evolve (basically like the videos I created for my Lazy Art period). So, I’ve done Lazy Art, this has morphed into Gonzo Art, and for sure it’ll evolve into something else – but here’s the story so far.

Work With Me on a Video Poetry Project

Something went live the other day, a fine determined attempt at creative collaboration on a global scale. It’s called, Collaborate on a Video Poetry Film Series. It’s a creative invite on Talenthouse.com, that fabulous website that connects creators together and is the current website to be on for interesting collaboration opportunities. Essentially I’m looking for a person to work with on a video poetry series. From my side, I’ll provide the visuals and words and you provide the soundtrack. I’ll mix everything together and we’ll ride the wave of internet propaganda to stardom together. On the creative invite page on Talenthouse is the inspiration. There’s a video of my latest still images, and the idea is that DJ’s, producers, etc. can be inspired by that to submit a track that fits to the images. I’ll pick the music submission that best fits in my brain and then we’ll collaborate together on a series of video poetry short films. It doesn’t matter who or where you are in the world, this is an opportunity to connect and work together across cultural, economic, societal and internet boundaries.

Where did the idea for this come from? It was a pretty organic evolution of the internet, inspiration, and motivation. In 2010 I submitted some paintings to a Talenthouse Creative Invite. I won the invite, and then participated at 1 Day of Art Copenhagen with (t)here magazine, then I printed a card of my best painting from Copenhagen and sent it to Jennifer Chalbaud in Venezuela who then had a dream inspired by my Gonzo Art and she created a cool design for Mambo Surf Deluxe. I wrote a blog post about it all and then Talenthouse contacted me, seeing if I would be interested in running a community creative invite. I said hell yes, and here we are.

I like painting because it’s the unknown. I never know what will come when I stare down that big white canvas, and I have no idea what will happen with this creative invite, but soon I’m going to find out. When I create I often think like a movie maker, I hear the music in my ears and break paintings up into little movies in my head. That’s why I’m excited about the possibilities of this opportunity. It’s the possibility of meeting someone motivated to create great music to mix well with the art I’m creating. In this context the idea of video peotry films is just natural for me, it’s the natural evolution of art and video. If you’re a music maker, please check out the creative invite, and you have my deepest gratitude if you pass the word on to anyone you know who might be interested. Click here to visit the page on Talenthouse.com, and below is a video explaining the idea.

and here is the inspiration…

http://www.youtube.com/watch?v=rAHC0rHMRdA

Writing the Artist Statement

It’s about 5:30pm on Wed. so it mush be time for the pre-art class beer by the Rote Fabrik in Zurich. Chilling in the shade, a cool lake breeze on my face – paradise. Time to lighten the head you see, make it all non-linear and stuff, ready to soak up the art direction. Engineering detox, twist the neural pathways into different directions and stretch out the frontal lobe. Time for the professional artist seminar, time to think about an artist statement and professional purpose for the work. I’ve been working on my statement but so far have stalled at, Statement is a purpose and art has none. But that’s why I’m here. If I had it all straight in my head there wouldn’t be a reason for being here drinking a beer, waiting for class to start. Instead I would be sick with confidence and taking the gallery world by storm. Carpe diem and fuck the emotional insecurities, I have something tho say and it just needs to packaged into a conversation that the art can have with anyone.

Ah, yes, the backstory, since I’m depressed enough to be an artist I decided to take a professional artist class at the F&F Schule in Zurich. Olga Stefan is running the course, and each week we hear a mentor from the Swiss art community speak and mentor us on our way to poverty or art stardom. Each week one or two students gives a presentation of their work, and mine is do next week. We’re learning how the art gallery game is played in Zurich and how to go pro. A key element of being a pro is the artist statement. A short but potent set of words that defines and explains your work to the masses. It’s an excellent self-realization adventure to define your work, but naturally the first thing in my head was, statement is a purpose, and art has none. The artist statement is your brand of sorts and should allow any one to get it. However, since the mobile internet thing has re-shaped all manner of print and video media and consumption habits, I’m highly interested in what it’s doing to the gallery scene and art buying in general.

To write a statement I’ve been deconstructing my paintings and their meanings, and the undertone of the meanings behind the meanings to understand my sense of self in order to make a presentation for the class, and eventually, to write my artist statement. I love to write, but it just seems so 1990’s to write up an artist statement instead of creating a video which can be consumed on a mobile device. Maybe I need to unplug? A video sort of thing is in the works, and that’s why I registered ArtistStatement.me the other week. Like with anything, I’ll start with what I know, figure out what I don’t know, and then go from there.

Swiss Startup Camp 2011 Basel – Recollections

The train ride from Basel to Zurich on a Friday night is wonderful place to be. Half the people are calm family types, smiling and say they love each other as they sit down, and the other half are pre-drinking Feldschlossen or some cheap wine, getting ready to live it up at the Zurich clubs all night or a party in Sissach. I’m calm and alone on my computer, recounting an amazing day at the 2011 Swiss Startup Camp in Basel. The day was a blast, a warm, invigorating tech-blast of knowledge and inspiration. It was a high-speed infusion of energy and inspiration, and I hope the momentum will take me places I never imagined.

This is a summary of my experiences at the third Swiss Startup camp in Basel, one of the premier gatherings of folks in the Swiss startup scene. You enter not really knowing what to expect, and after picking up your t-shirt and grabbing a coffee we started to discuss who wants to talk about what (the usual barcamp procedure). There are many things which can happen at such an event, but for sure you’ll walk away from the day with a head full of ideas and inspiration to boot. For the past half year I’ve been focused on painting, photography and learning to make movies, and to a certain extent dropped out of the startup events around Zurich. However, I’m ready to get back into it and see what happens. I’ve also been in a sort of tech-soul searching mode for the past half year, and have now focused my energies in three convergent directions: mobile technology, UX/UI, and ebook design. I found my way into sessions about Lean Startup, Scrum, and the Quantified Self.

Lean Startup Factory

The Lean Startup Factory session by Remy and Reto had the biggest impact on me. Lean startup is trending on the Swiss Startup Scene, a take on the Lean Startup Factory from the US. The point is that there’s lots of business ideas every day, week, month, etc. What do we do with them, nothing goddammit, and that needs to change. Forget about sweating the domain name, half desiging a logo, and then failing to execute the idea. What good are good ideas if they never get off the ground? Execution is far more important than inspiration. So fuck the NDAs and business plans, we need to execute, get to the core of beast and start the rock n’ rolla. Well, that was what was going through my head when I listened to Remy (SuperText) and Reto (Doodle) talk about the idea of organizing a Lean Startup Factory weekend in the Zurich area this summer. The main (Fight Club free interpretation) is to dedicate one weekend to breath life in one of your ideas – Build the next twitter in 2 days.

No SWOT, no business research, just team building. 30 people get together on a Friday night, build the teams, and find the core of the idea. Get to the core and execute the idea. No secrets, each team owns the project. No NDAs. Each team owns what they have (because ideas are worthless without execution). The point came up, what about the Swiss startup weekend that already took place. Well, word is that pre-planning and NDAs killed it, because you start to fight between one another instead of creating. Someone said on the street that this will be corrected for this year, but I’m totally inspired by Remy and Reto. Now, who is it for? The startup factory is not limited to developers, but also open to people keen on visual design, interaction design, usability, copywriting, etc. It’s about the whole picture, not just the code. This is the stuff I dream for. During the (t)here Magazine 1 Day of Art in Copenhagen I was exposed to the same method. You go to an inspiring location, dream up ideas on a Friday night, and then create hardcore all of Saturday and show the result. During 1 Day of Art I created paintings I wouldn’t have done in Zurich, and it was all due to the unique energy and inspiration created around the event.

For me, lean factory feels exactly like 1 Day of Art. When I went to 1 Day of Art Copenhagen, it was all hardcore expression and creation. The fine folks from (t)here Magazine put the day together, and I was able to attend thanks to exposure on Talenthouse. However, at the end of the day it was the excellent creative energy and environment of the weekend, cutting out all distractions and just painting with determination in the bathroom of Hotel Fox. It was environment and execution of the idea, trust the process and ride the creative wave and you won’t have to worry about the weekend being a failure – success is the only mother fucking option. The word Factory conjures up the work of Andy Warhol and music from Manchester. You just need to trust in the method and the people. Get people together who want to create, put them in a room with the tools they need, and good things will happen, failure isn’t an option because it’s not part of the equation. The factory plan is like this, everyone meets on Friday, present and talk over ideas, then form some teams and spend the weekend creating, coding, designing, and see what happens. If you’re into this head over to the group, Lean Startup Factory on Amazee.

Lukas Fischer – Lean Startup

I like Lean, and I love reading about management strategies in IT and dreaming of applying them to engineering projects, so after the factory talk I headed over the listen to Lukas Fischer give a rundown on Lean Startup. Lukas heads up netnode.ch, guzuu.com, and spent some time chilling in San Francisco last summer learning and meeting with folks and he wanted to share his thoughts and experiences with Lean. The lean startup trend seems to be trending hard on the Swiss startup landscape, and the room wall filled to capacity to hear what the buzz is about. Lukas started by stated some facts, 70% of startups fail, 10% make money. Why? Because startups often don’t make stuff customers actually want (logical, no?). Lean isn’t a management magic bullet, it’s just a set of best practices to help startups succeed. The concept was set down by @ericries, and @sgblank, considered the fathers of lean startup. First, let’s start at the start. What is a startup? It’s a human institution to deliver a product or service under extreme uncertainty. It could also be an organization used to search for a scalable business model. Lean helps to do that. Here’s my summary of his talk (a bit with my interpretation filled in), but you can also get the slides directly (below here).

So, what is best way to see if there are customers for your idea? Well, you can go through these steps to topics with CUSTOMER DEVELOPMENT:

  • Customer discovery – test hypothesis
  • Customer validation – charge money
  • Customer creation – start sales
  • Scale company – scale it

This sounds all well and good, but what does Lean mean? With Agile development, the point is to do customer development really fast. Speed is key, so use an iteration process (as opposed to Waterfall) when developing your product.

Ideas – Build code – Measure data – Learn – Repeat

Now, the Waterfall model is ok if you already know the solution. However, it is not good for startups because you don’t know the customers, and therefore you are also ignorant of the final solution. So it makes sense to use an interaction process as shown above. So how do you get Lean?

  1. Forget Waterfall
  2. Build up Agile
  3. Build team – focus only on problem team and solution team
  • To reduce the clutter, focus on the Problem and the Solution. The problem team focuses on customers and finding the perfect solution. The solution team builds it as fast as possible
  • Minimum viable product (MVP). When you start with an idea, you need a product which solves a real client problem, but just solves one pain.
  • Eliminate features. Throw out features and resolve a problem for a customer, if it doesn’t solve a problem, remove it from your code.
  • Early evangelists. Feedback of early adopters and people who love your vision is very important, they will tell you early on what features are missing
  • Continuous integration. Iterate, iterate, iterate, deploy your application as fast as possible, measure if the new version is better than old one.
  • Product market fit. A company has “product market fit” when it has found a product that customers really want.
  • Measuring product market fit. Would you be sad if the product no longer exists, if less than 25% are very disappointed, then your product just sucks.
  • Charge. People pay if they can solve a real problem, charge from day 1, it finds out quickly if people are willing to pay for a product or not.

All in all Lukas gave an excellent talk on Lean. For more information you can check out the 5-step startup metric model by @davemclure, and there are internet sites like startuplessonslearned.com. So, my take away messages included, iterate, fix problems, make an error only once, ask why if it happens 5 times, and use lean to stop creating products people don’t want.

Scrum – What is it?

After two sessions of Lean I was looking for something else along those lines, so I headed over to Scrum with Steve Holyer (@zurcherart). Steve is a web worker and a certified scrum master, so he’s a reliable person to talk with on the Scrum subject. What is Scrum? The term originates from Rugby, where a scrum is used to restart the game when the ball has gone out of play. It can also be, an iterative, incremental methodology for project management, often seen in agile software development. What can we use to describe it? Visibility,empowerment, commitments, agility, efficient, hard, easy, fun, self-managing, cool, it works, best practices, hyper-productive. I’m totally new to Scrum but, from Steve I got the basics. There are some main team roles: Product owner, Team, Scrum master.

Product owner: Knows the customer, decides where the team should go, but not how they get there or how fast, owns the product backlog, prioritizes the product backlog (but does not estimate the stories in the backlog). Usually not the line manager.

Team: 5-9 people, doing the work to complete the project or sprint, self organizing, the team want to get it done and it’s up to the team to get it done, cross-functional, attend the daily scrum, not limited to coders and developers but also analysts, testers, etc. Can also include scrum master.

Scrum master: Coaches everyone in the process and scrum practices, removes impediments, holds the daily scrum, usually not part of the team, usually not the line manager, usually not the tech guru, protects the team. Leads most of the meetings.

Then we move into activities, what is the scrum, how does everything work? We start out with activities. Activities are basically just meetings, but very well defined meetings, which follow the same format in a limited time and are well structured. These include sprint planning, daily scrum, and review. The first two are the less-obvious for me. Sprint Planning: Product owner presents the backlog, the team is there to question the product owner, re-estimate, re-prioritize, estimate velocity, select stories for the sprint. Part two starts after lunch. Break down tasks, at the end the team commits to delivering so and so stories at the end of the sprint. Daily Scrum: This is the sprint commitment, the team has committed to deliver this to you, if you add new tasks in the middle of the sprint, you’re asking them to do something that breaks their commitment. Do you really want to do that? If yes then stop the sprint and replan.

As a mechanical engineer who is always working in Waterfall, it was very interesting to hear Steve talk about Scrum. Some of these techniques are being brought over into the mechanical world, where it has been called Concurrent Engineering. However, I would rather go to the source, and I like the terms Agile and Scrum a lot more. I’ll see how I can integrate the Lean and Scrum management and development ideas into my future projects. There are many parallels in the mechanical engineering world, especially now as more and more projects rely on simulations and virtual prototyping in the development process, but change doesn’t always come easily. Still, I’m optimistic for the future.

The Quantified Self

My last session of the camp was about a website called Quantter (Quan#er) and the Quantified self by Denis Harscoat (@harscoat). Do you know what that means? I had no clue, but it’s the future, and this is how it has begun. The quantified human was the most experimental session I attended. I say experimental mainly because the movement is still so new that even a wikipedia entry didn’t come up when I googled for it before the talk. Quantified Self refers to humans who have quantified themselves, it means people who gather, digest, and interpret data about themselves. Their heart rate throughout the day, their brain waves and sleep patterns, how much they walk each day, what they eat, all these things can be easily measured and recorded now using basic sensors or an iPhone app. This will be big for various reasons. On one hand, we all know that people love to collect and analyze data, and if they can do it about themselves and then share it, it opens up a big market for people to compare their data with that of other people. It’s also an avenue for medical research, and helping people gauge their own healing process and for doctors to monitor patient stats in realtime. The idea is really very powerful. It is the idea of knowing yourself in numbers. It means development of tools for quantifying parts of your life, and using technology to understand how to live in a better way. Once you have and can see the data, the next question is how to interpret it, and then to take action on what you’ve found out about yourself. The website Quantter (Quan#er) is a platform for people to share tweets and things about the stuff they’ve quantified. I can see this as being a big, actually potentially huge growth area in the future if it takes off. For it to take off there needs to be mobile applications to easily record relevant information that can be quantified, and I think that’s where the money will be made. For more info on the quantified self, check out Quantifiedself.com to get info on what people are doing with it and meetups. There’s also a video of Denis of a meetup in Amsterdam on vimeo.

The End: Moment of Zen

Thank you to all the organizers and sponsors, this third Swiss startup camp was fantastically awesome. The startup camp is a wonderful platform for startup folks around Switzerland to meet and develop new opportunities and ideas. It’s consistently the best barcamp I attend every year (yes, it beats out Berlin) and I left Basel with some serious motivations and ideas. Now it’s time to go to work. But first, your Moment of Zen, here’s my favorite random quote from the day (picked up at the after-party):

9 women working one month can’t create a baby.





Bratz War Images

On my last trip back to Detroit I marched with the Nain Rouge, and then had a little buying madness toy-spree at Toys R Us. I also picked up a Cleo de Nile doll at Meijer one night after playing trivia at a bar during some low-level Thundersnow. Anyways, I then raided the toy chest that is the basement at my parent’s place and put together some small war sets with the various objects/subjects/toys. I took what I had to work with, that included a super old Estes model rocket, some plastic army soldiers, a landscape, a .50 cal sniper rifle from a G.I.Joe, some tanks, and, I guess that was about it. This is sort of an ongoing project. Every time I head back to Michigan I find another collection of toys to use, I setup a small stage, do some shot arrangements, and then bring the images back to Switzerland for post-processing in Photoshop. In these images I’ve added a lot of overlays from Rome, Zurich, Tokyo, and Detroit. Images of concrete and walls were added as well to texture the images, and the odd-sun flare is thrown in as well when needed. I’ve since picked up a copy of Strata Foto 3D, and am investigating the possibility of creating 3D models of the Bratz, Cleo de Nile, and various toys, and doing the images or a short movie all in the computer, but I need to learn me some 3D skillz first.

Anyways…enjoy…Bratz War

Detroit Fasnacht – La Marche du Le Nain Rouge

An interesting holiday has been resurrected in Detroit called Marche du Nain Rouge. It has some historical roots in the French-influenced history of the city. Apparently (I know someone who actually talked to a woman who saw it one night) there’s a devil (or dwarf if you like) living in Detroit, and has been there for some time. On March 20th the good people of the city gathered together and marched down the street dressed in red to scare the devil from the city. I imagine that the devil then scampered over to Dearborn and there was a party at Shatilla to toss the Jinn out of Dearborn. Then for sure it went to seek refuge in Sterling Heights to deal with little old Polish ladies who tried to bash his head in with rolling pins. Anyways, it’s a reason for a party and from the timing has some parallels to the Carnival season and the Fasnacht festivals in the German areas of Europe. With that in mind, my girlfriend offered to help design and make with me a fine red devil mask for me to wear on my vacation to Detroit this year. I’ll arrived too late for St. Patrick’s day, but just in time for La Marche du le Nain Rouge.

The Mask

For the mask we decided to make a classic Fasnacht mask from plaster. The basic idea is to lay strips of plaster on your face and let it dry and then take that mold of your face and create the mask. This ensures that the devil will see your eyes, but not recognize you, making it impossible to take revenge on you later in the year. To make sure the mask doesn’t stick too much to your skin it’s good to apply a cream to your face before starting. So I closed my eyes and my girlfriend started spreading coconut fat on my face, and I burst into a laughing fit of a solid 10 minutes. Eventually I settled down and sort of fell asleep while she layered my face with wet plaster strips. In the end I spray painted the skin of the beast and let it dry for March 20th. As Fasnacht gear was being sold all over the Zurich area I picked up a sort of strange devil pagan skull on fine black stick to carry around the Cass Corridor. Sadly I had too much chocolate in my luggage and had to leave it in Switzerland. I imagine it will find an essential use at some point in my life, maybe for the next march.

I am the Despair of Detroit

Everyone met at the 3rd Street bar around 1:30pm, and then the Nain Rouge appeared on the rooftop. He had a viel red face with sharp teeth and a devilish smile. From the shadows he took responsibility for moving the Pistons to Auburn Hills and stated that he is the despair of the city, a beacon of depression to steal the hope and quash the dreams of anyone standing within the city boarders. Merde de Tete Monsoir! From there a decision was made to march the Nain out of Detroit, and ah, he complied and everyone headed down the Cass Corridor to Case Park where a Cadillac drove up and Coleman Young walked up with the Spirit of Detroit and took the Nain away. The Nain was outstanding, but took a backseat to all the excellent people I met and checked out on the street. The Detroit Marching Band played excellent beats and I happened upon such characters as a Steampunk dude with a mini-gun for an arm and iron fist of Joe Louis. However, at some level I feel like I’m on the wrong side of the conflict. The Nain Rouge was in the area before Detroit was settled (read it on Wikipedia), so in reality the Nain is just defending it’s land, is this the message we want to communicate to the world, that it’s ok to kick the Nain out of Detroit, or Nainland? Shouldn’t we all try to get along? The Nain is possibly a quite upstanding fellow, who simply wishes to enjoy a Cuban cigar on the banks of the river while watching the sun set? I’m looking forward to flying into D-town next year with a new mask.